“Metaverse Hypothesis”, the historical works in dialogue with the AI Art

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The application of new technologies to artistic forms amplifies and makes the imaginative and tangible space of experimentation unlimited. The multimedia and multisensory itineraries placed in relation to the material works of the exhibition testify to this “Metaverse hypothesis“, until July 23 on display at Palazzo Cipolla on via del Corso in Rome.

Between amplifications and shorts, the exposure – conceived by Emmanuele Emanuele and edited by Gabriele Simongini and Serena Tabacchi – leads the visitor into a contemplative and immersive experience at the same time: through the succession of 15 environments, the works of 32 artists coexist through the references generated by their works. One comes out conversation between 16 historical artists and 16 contemporary artistssupported by a language phygitalphysical and digital, which substantiates and enhances the unprecedented synergy.

“This exhibition demonstrates – he explains Emmanuele Emanuele, president of the Third Pillar Foundation – that the most current technologies put themselves at the service of the creative act in all its forms, offering the artist and his users new tools to explore the ineffable mystery of making art. Today it is necessary and essential to combine tradition with the new that is advancing. To those who fear that technology may overwhelm the specificities of human beings, I reply with the belief that humanity will be able to find the right resources to live with it and not be totally enslaved by it: in other words, it will exploit its potential to improve quality our life”.

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“‘AI artists’ use the algorithm, and AI in general, like a chisel 3.0 to shape and explore new worlds – underlines Serena Tabacchi – but today AI is not only used as a tool, today it can also be considered as an artist’s collaborator, helping him to express his creativity and to explore new and unprecedented aesthetic paths. Hence the new scenarios of AI Art that connect with our history, our databases, and tell us about a new aesthetic that is not without important reflections: that of the technological age”.

Among the works on display, site specific those of digital artists, there are many that can be used by the public who can personally activate the technologies, starting with the interactive installation by Fabio Giampietro and Paolo Di Giacomo “Aiora: Floating Tales”: the visitor can swing on a swing and between motion sensors, generative art and projections, ideally measuring the interconnection between physical and virtual space. He can then wear the VR viewer to enter the Mott Haven neighborhood in the Bronx in New York and use the controllers to fly over the aesthetics of an unattractive public housing in augmented reality, sublimated through meditative Zen drawings.

Metaverse hypothesis. Ph. Luca Perazzolo

Or again, immerse yourself in Federico Solmi’s lively virtual settings, grotesque and dystopian just like contemporary society, and come across the video painting “The Painter and the model”, which presents Elon Musk grappling with the creation of a portrait on the iPad of Kim Kardashian, both with costumes from the dystopian film “Metropolis” by Fritz Lang.

Considered the ultimate inspiration for the “architects” of the Metaverse, Maurits Cornelis Escher, with its imaginative trait, is placed in dialogue with the late Baroque painter and architect Andrea Pozzo, whose sketch for the fake dome of the Church of S. Ignazio is exhibited, a masterpiece of simulated and virtual architecture that the artist himself Dutch he had studied and admired in Rome. The native digital artwork by the Canadian-Korean artist Krista Kim dialogues with the painting by the Hungarian painter Victor Vasarilybetween optical, graphic and abstract vertigo.

And again, a lot of restlessness with the innumerable metamorphoses of faces created by Mario Klingemann through applications of neural networks and the audiovisual installation “Multiverse .eco” by Studio fuse; follow the streamlined body, a sort of ante litteram avatar, of “Unique forms of continuity in space” by the futurist artist Umberto Boccioni and two “cyborgs” from “Donna e ambiente” by Federico De Pistoris the man and woman of the future.

The itinerary continues with the audiovisual performance of the artist, musician and producer Alex Braga, who investigates the propagation of the concept of infinity through an experience of sensory multiplication based on music. And again: the multiple perspectives of Fortunato’s “Contemporary simultaneity”. I waste away in connection with the motion artist Joe Pease and his surreal loop of “Everything in temporary” and the generative literature of American artist and poet Sasha Stiles. If the worlds suspended between rationalism and esotericism of Giacomo Dance dialogue with the blockchain technological architectures of the London artist Robert Alice, the dematerialized and perspective dimensions of Giorgio de Chirico they converse with the conceptual vision of Giulio Paolini.

From the research of PAK, a crypto NFT artist who has been active in the digital art world for more than twenty years, who in 2021 sold 266,445 shares of an NFT for a total of $91.8 million on the Nifty Gateway platform, here is a series of interactive works and evocative that describe his personal interpretation of the metaverse. We then come across a modular robot attributable to plants, the plantoid of Primavera De Filippi, an Italian researcher who deals with issues related to online copyright and the implications of the blockchain in real life, as a creative fundraising object for the work of digital artists. An NFT is issued for each donation.

While the painter Ugo Medlar identifies in the videogame a fundamental component of the contemporary and of the Metaverse, for the young British artist Joshua Chaplin the parallel virtual world grows and is progressively renewed. The exhibition concludes with three digital sculptures by Refill Anadol, a pioneer in the aesthetics of data and artificial intelligence, in which space and nature are sources from which to draw for a new sensory form endowed with meaning.

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Tags: Art, dialogue, Historical, hypothesis, Metaverse, works

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