Daje Biascica. “So ‘Boris 4’ sends the pol into a spin. corr. “
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The entity that decides everything. If anyone still has doubts about the algorithm, hear this: “How’s the new one going ‘Boris’? A success, well beyond expectations, ”he says Paolo Calabresi, among the protagonists of the fourth season most awaited by the Italians. “But don’t ask me for the numbers”. The experts of Disney +, the infamous platform, speak: “We don’t even know them”. It’s all there, continues the actor, “in the inscrutable black box. And to the relief of historical enthusiasts: this series now belongs to everyone, it is fun and still works “. From 2010 to 2022. From the satire of the ether to that of streaming. “By now who hoped more in the revival: it took Mickey Mouse to bring us back to the set”. Where is it Calabresi is always Biascica, the heavy and good-natured chief electrician. “What a poor fellow, during the episodes he goes completely haywire: he just realized that there is something wrong”. Something that cripples vocals, makes every grimace liable to racism. And that goes hand in hand with today’s algorithms.
The luck of ‘Boris’ is that the world continues to offer irresistible assists. Starting from pol. corr., which does not spare even Renée Ferretti’s troupe. Accelerated courses, internal codes, no overshooting. “And above all, how will Biascica fare, who made affectionate bullying towards his subordinate a cornerstone of his way of working?”. That is to have the slave bring the coffees, aka ammerda. Which now becomes ammerdu – neutral, not Sardinian-Romanesque -, “or with an X at the end, as I noticed in the subtitles of the other languages”, Calabresi tells al Foglio. “Yet, when a young production runner comes to pick me up at home, he calls me on the intercom with pride: hi, I’m the slave! The revolution of ‘Boris’ is also in having given dignity to the last step of the social class“.
Debunking taboos, one neologism after another: on the set, ending up included becomes synonymous with taking her in that place – “don’t worry, ‘na cosa nostra”, the characters dribble the inquisition. “But behind the joke there is the intelligence of a profound reasoning”. Whoever looks at it feels it and finds himself there. “Every day we face issues of this kind, not just at work. And this wave of alleged progressivism, devoid of content, is risky precisely because it is the opposite of the very essence of inclusiveness. Indeed, we enhance it by stigmatizing the version of the facade that many fill their mouths with “. ‘Boris’ has embedded the concept even in large on-demand distribution, a forge of woke-proof products. A masterpiece. “The self-irony shown by the platform amazed me”, Calabresi emphasizes. “And the mix between our Italian contacts and the Anglo-Saxon counterpart has expanded the contents of the past seasons: everything has changed in this profession. But we are always human beings who move in a large aquarium from which it is impossible to get out ”.
Stanis, Arianna, Lopez. “Maybe my character doesn’t quite come close to that of Biascica”, smiles Paolo. “But the strength of ‘Boris’ is in choosing the right actors for the role. Sometimes made to measure: Pannofino is really Renée. Carletto De Ruggieri is the slave. Alessandro Tiberi the career-making intern ”. All likely characters? “Except that of Corrado Guzzanti: never met a satanist colleague with a penchant for weapons”, and thank goodness. “But me I was inspired by a real machinist to make Biascica: he boasted strange knowledge, he sold contraband DVDs. Cinecittà mythological figures. However much the platform tries to control, the set will always keep its free zones ”.
Even behind the scenes. “Get together? Twelve years felt like a week. Extraordinary normality, we never stopped being together. When my daughter Aurora and I ”, who plays the new intern Lalla,“ we missed 19 days of filming because of Covid we were desperate. Because Boris offers unique moments, according to an anomalous attention to work that melts into fun ”. Like what? “‘Compare, but you know that …’: Ninni Bruschetta is world champion of topics started after the take”. We see him, the imperturbable Duccio. “And this is how the stylistic features of the pol are overcome. corr .: preserving human relations, between critical effort and a worthy morality. Without fear of joking “. In any capacity. “I can’t stand watching my films. But with Boris it’s different. I discovered that it also applies to other actors: we laugh at ourselves, at our character ”. And we with them. For the algorithm, it is checkmate.
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