The political “clash” at the premiere of the Teatro alla Scala
1 year ago
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The 2022 version of the “Vivaverdi”, always active since 1859 and regardless of the composer represented because, in terms of political-social narration, what is staged on the stage of the “Prima” of the Teatro alla Scala counts a little less than what happens between the royal box and the audience, takes on the appearance of Giuseppe Conte, who in Milan would also be a principal dancer at Piermarini specializing in very male roles, like a matador, sitting among the homeless in the Opera Cardinal Ferrari headquarters, in the Bocconi area, enjoying the “Prima della Scala Diffusa” as a radical chic intellectual from the good old days.
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