Spider-Man and Spider-Woman in the Multiverse, Gassmann rocker, Anita Garibaldi and 7 other films to watch at the cinema and in streaming

Spider-Man and Spider-Woman in the Multiverse, Gassmann rocker, Anita Garibaldi and 7 other films to watch at the cinema and in streaming


SPIDER-MAN: ACROSS THE SPIDER-VERSE. In the halls

Request: Spider-Man: Across The Spider-Verse an exaggerated movie? let's start 1) come on three - directors - three, practically a team: Joaquim Dos Santos, Kemp Powers, Justin K. Thompson. Do you think there are too many? Wrong, these are real digital champions. Spider-men of the cinema capable of combining the universe in 140 minutes bits & chips to video art, with a visionary cosmos that unites the New York skies outlined by baroque skyscrapers with the India of towers and turbans. Which, especially in the first part, steals the eyes. Each of the three directors, it must be said, adds something. Flip, move, accelerate, change perspective.
Then 2) there are the themes, all burningly topical: the existential precariousness of our boys; the increasingly complex relationships between parents and children; the melancholic diversity of superheroes, species to be saved; the fall of values ​​leading to dark planets; love at the time of algorithms; affects threatened by artificial intelligence. In addition, Across The Spider-Verse speaks of the blurred boundaries of the Multiverse, the futuristic game of mirrors and sliding doors between parallel worlds, just like Everything Everywhere All At Onceand we know how the Daniels film ended up at the box office (very good), at the Oscars (equally good) and in the ear of Generation Zthe most sought after by cinema marketing (even better).
It should also be added to the account 3) the very high budget: 100 million dollars, well over the 90 of the previous one, A new oneiverse, which collected almost 400 and, as a bonus, even won an Oscar. To recover from the expenses incurred Across The Spider-Verse it should take at least double that. He'll probably make it because it's an impeccable blockbuster and the Marvel-Sony bet is worth the candle. Let's start with Gwen Stacy's return to the scene, aka Spider-Woman, who plays the drums and dreams of a band to scramble. In the meantime, she quits her unhappy job to fly full-time hanging from the cobwebs. Pap, a policeman with counterflaps, hunts the masked woman unaware that it is her daughter. Which crosses the borders of the Multiverse, pushed / forced / helped by other spider-creatures and reaches our favorite Spider, Miles Morales, grappling with the apprehensions of Hispanic mom and colored dad, another guardian of the law. Sometimes to do the right thing you have to give up what you want most.
This time the threat comes from an Ariosto-like Renaissance bird, by his touchy colleague Miguel and, much more, by the destructured bad guy La Macchia who has the power to open holes and chasms to circumvent the barriers between dimensions and from a liquid joke he becomes a giant of evil. Are you a cow or a Dalmatian? asks Morales.
The film is an emotional adventure, divided, as the directors say, into six narrative segments, with small changes in style which follow the development of the story without breaking the rhythm of the Champions League final. The magnificent visual frame and a soundtrack divided between rap and hip-hop help to overcome the cuts by providing a baggage of suggestions ranging from graphic novels to author comics to pictorial trans-avant-garde. Along the way the Spider-Men (and Spider-Women) multiply, each with a different point of view. Who saves the shack in slippers and bathrobe, with the little girl in her arms. Who holding the guitar around their necks, who governing childhood traumas. Who is poorly aligned and who is the result of an anomaly. The kids in the film eat deep-fried feelings, hang from the ledges hanging upside down like bats, suffer from loneliness and have anaffective tendencies. The company struggles to stay together. Not a dreamteam: the wicked settled, everyone aspires to go home. Is it better to save a single individual, maybe dad, or whole worlds?. One would suggest: both, if possible.
Every day I wake up knowing that the more people I try to save, the more enemies I will make. After all, moving from one dimension to another is not a walk in the park: like uprooting yourself. The final bill progressive, feminist, ecologist, do-gooder. Gwen (a female, second generation American) and Miles (a black with Puerto Rican blood) they lead the rescue of the ultra-gifted minorities. They are digital shadows: but in the end you get the feeling that they act better than Keanu Reeves and Tom Cruise.

SPIDER-MAN: ACROSS THE SPIDER-VERSE
by Joaquim Dos Santos, Kemp Powers, Justin K. Thompson
(animation, Usa-Canada, 2023, duration 140')

Rating: *** out of 5
In the halls



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